Categorías
Sunday word hunter: poetry and nonsense Varios

Writing sets it in stone…



Stone, clay, wood, paper.
No expression,
No accent.
Through the eyes of the reader.
And their biases and substances.
Maybe not in malice.
Sometimes in all evil.

Clauses are,
Loose or tight,
To convenience and lenience;
Read by contract and do service.

What do we know of the reading?
Was it a language like English?
That can’t be read as written.
Was the time in it, volumetric?
Greek time goes in p³ (What’s p in there?).
Is it affected by 60 more unofficial places?

The words you use might be common sense…
Decided by whom?
Do you know the same things I do?
Do you leaven or perhaps,
Use the word rise?
What about warp and weft instead of thread?
Can you play words the same way you turn your socks?

Oh, Dickinson verses.
Not you, not I; only her knew what was in there.
Tough analyzers say they can see through them… Really?
Let’s say by convention that’s yes.
Words can lie so well.

True.
Only a single meaning?
Local, national or universal?
Personal?
True as in truth or true as in skilled?
Skilled in twisting the true?

Finally,
What’s not there can’t always be inferred.
Nuances are not so subtle at all,
Once focalized.
Just change the point of view of the tale and the stone turns lime.

Categorías
How to write fiction

Why to start with the ending? [when writing] p2



BLOCKED PATH

Some paths get blocked once you know the outcome. Although it is true you can never know what is happening in reality, the principle of impossible omniscience that helps us from knowing the real reality; and that the thoughts of alive people is almost impossible to know, the least if they’re dead; some actions disappear as soon as you know the outcome.

Logically, that doesn’t mean there’s a one and only linear way. It only reduces possibilities. It is one’s job to find the correct sequence. Which is something machines do better than humans beings.
This is what makes writing an impossible process to describe. It is you and you alone who will find how to make it work.

Thus, it is easier to wipe out what’s there wasting space. And no matter how much, editors claim they want the plot clean of it. I’ve read novels that repeated the same idea thrice! If you were to take out that much out, the novel would have been a movie script. Or a TV series script.

Nonetheless, it doesn’t mean the 70,000 to 100,000 words some authors can summon out of nowhere are useless. Some people can write that much. Others don’t. I don’t. But I’m not published so this advice might not be good at all.

Looking backwards is what has you knowing which stone of the way to move for the character to go this or that way into the woods. Or thrown themselves cliff down. Maybe a furious rhino?

REWINDING

You can always rewind the tape and review where is it that you lost the logic or when it happened that someone changed their minds. And if your characters are like mine, when to get them into the interrogation room.

Anyways, this is nonsense and just an opinion. It for sure might be wrong. Oh, and remember, if anything else fails, just have a good time. Pasto kalo.

Categorías
Reporte Merriam

Usando el cuaderno…

Categorías
Lunes de patchwork: SNS y escribir

Leyendo música…

Categorías
Sunday word hunter: poetry and nonsense Varios

Fare-thee-well



Tsss.
Desperation.
Rest.
Tsss.
Desperation.
Rest.
Tsss tsss.
The glue won’t let you go away.
Six legs on it.
Tsss.
The struggles dies.
The buzzing quiets.

Categorías
Uncategorized

Cuentos de viejas



Miró a su alrededor con gesto culpable desde el refugio que le ofrecía el ala del sombrero, por si alguien se había dado cuenta de que se había dormido. Dormitar durante el día era algo que sólo hacían las ancianas, y Yaya Ceravieja sólo era una anciana cuando convenía a sus propósitos.

Brujas de viaje. Terry Pratchett