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How to write fiction

The horrible part of it

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But I try to make sure they understand that writing, and even getting good at it, and having books and stories and articles published, will not open the doors that most of them hope for. It will not make them well. It will not give them the feeling that the world has finally validated their parking tickets,  that they have in fact finally arrived. My writer friends, and they are legion, do not go around beaming with quiet feelings of contentment. Most of them go around with haunted, abused, surprised looks on their faces, like lab dogs on whom very personal deodorant sprays have been tested.

My students do not want to hear this. Nor do they want to hear that it wasn’t until my fourth book came out that I stopped being a starving artist. They do not want to hear that most of them probably won’t get published and that even fewer will make enough to live on.

Bird by bird. Anne Lamott

Auch. That hurts. And I should quit. I know. Specially with all those people selling courses on how to write saying they haven’t had a moment of bad times since they started writing. Pasto kalo.

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Lunes de patchwork: SNS y escribir

Your taste in books isn’t random

I don’t know. There were books in the shelf. No one said which were good or which were bad. I will confess I’d read almost anything but certainly I wasn’t forced to read anything I didn’t want to, until I was in secondary school and even then it wasn’t forced since I had already read it. This time from the public library.

It was later when I learnt this or that was rated as Literature and this other was not. By then, it was too late. I liked what I liked. Whether it is literature or not. I guess the biggest influence was that shelf (Oh, it was quite small and there were more psychology books than anything).

Funny there were only three poets.

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Palabras

Secrecy

eye of a person peeking through a hole
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I wanna know what comes next!

But the original novel;

Nowhere is.

They divided it.

Engrossed the thing.

Added details that might have not been first in.

I groan in need.

¿When, oh when, can I know the end?

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Cómo escribir ficción

Lo horrible de escribir

kid in skeleton costume sitting unhappy in bathroom
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Pero intento asegurarme que ellos entienden. Escribir, e incluso volverse bueno escribiendo, tener libros e historias y artículos publicados, no abrirá las puertas de lo que desean. No les hará ningún bien. No les dará ese sentimiento de que el mundo, al fin, valida sus boletos de estacionamiento, de que después de todo han llegado. Mis amigos escritores, y son legiones, no van por ahí brillando de contento. Muchos de ellos van por ahí atormentados, rotos, con caras de sorpresa, como perros de laboratorio en los que se prueban desodorantes en spray muy personales.

Mis estudiantes no quieren escuchar esto. Tampoco quieren saber que no fue hasta mi cuarto libro que dejé de ser una artista hambrienta. No quieren saber que muchos de ellos no serán publicados y que muchos menos lograrán vivir de ello.

Bird by bird. Anne Lamott

Auch. Eso duele. Y debería dejarlo. Lo sé. Especialmente con tanta gente vendiedo cursos de escritura creativa diciendo que nunca han pasado malos tiempos desde que empezaron a escribir. Pasto kalo.

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How to write fiction

A desperate business

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Writing can be a pretty desperate endeavor, because it is about some of our deepest needs: our need to be visible, to be heard, our need to make sense of our lives, to wake up and grow and belong. It is no wonder if we sometimes tend to take ourselves perhaps a bit too seriously.

Bird by bird. Anne Lamott

And that’s the alcoholic’s motto. Just today. Survive just today. However, it is not like writing is to be alcoholic. It’s just that life itself can be overwhelming.

Creating life, breathing life into something that only seems alive; for it can’t get up and exist just because, is exactly as taxing as coping with the real thing. Or it was. Now we have beautiful worlds in which the horrible people just get arrested, disappear through the door or stay behind with the shitty jockey team.

I wonder if that is us being more coward or being braver… Be brave. Survive today’s page, today’s scene, today’s poem. Pasto kalo.

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Lunes de patchwork: SNS y escribir

Waiting rooms is forfeiting our rights

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To beloved ones

Jacket

three people in denim outfits

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Round and deformed,

Its red being a challenge of fit.

First the back took up a while,

Its big b making it un-straight.

Then the front wouldn’t reach.

Try two acute unmatching halves to make sense.

No shoulders to hold,

The seams to connect front with rear.

Arms too short for sleeves to run along.

Sewing by hand,

The machine’s presser quite big.

The fabric thick,

Thus hems were a no roll.

And bias binding was the same,

A shame.

Ah but I hold a master’s degree,

I’m a mule, you see.

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Cómo escribir ficción

¿Invisible?

ghost in a wool hat listening to music in the haunted forest
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El viaje del héroe es un esqueleto que debería verse revestido con los detalles y las sorpresas de la historia individual. La estructura no debería llamar la atención hacia sí misma, ni tampoco ser usada de forma tan estricta.

THE WRITER’S JOURNEY ~ THIRD EDITION. Christopher Vogler. Published by Michael Wiese Productions

….El problema de usar una receta es que, tarde o temprano se nota la estructura. ¿El problema de no seguir una estructura? El cliente no obtiene la satisfacción debida.

Hay formas de llamar la atención hacia la estructura de modo que nos distraigan de la trama desenvolviéndose ella solita. Lee Brujas de viaje para descubrir cómo. Pasto kalo.

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Jueves de invitados

Barthes

Hello. Today’s is Guest Thursday and the topic is Barthes and the author’s death. Our guest insists in using Anatole France for a pen name. Don’t confuse with the already dead author. Every typo is responsibility of the author since I only copy-pasted.

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The author’s death

As I arrive in my town’s most ornate cathedral, I drop to my knees and beg God, Christ Jesus and a whole host of saints, demigods, and sitcom stars, living and dead, to please resurrect the author, our author.
               More important perhaps, is how exactly did the author die?  Roland Barthes appears to have discovered the corpse many decades ago, which marks him as the first suspect. Is it little more than a mystery novel?

Is his investigation simply an alibi, or the beginning of a cover-up? Was the author summarily executed for crimes against humanity, against aesthetics, against the author’s neighbor? Was the author hunted for sport? Did he accidentally trip and fall on a morning jog into a void that dropped him 500 feet high into the Great Salt Lake? Did the author die of old age, natural causes as they say? Did we, the audience, read him out of existence? Has the author gone underground and faked their death? Do I control the graceless movement of my own pencils?

Where might the author have gotten off too? If they are dead, might their reanimated corpse be a possibility? Is it just a name? What is the animating character? As someone who has tried their hand at organizing words, juggling punctuation, I find it has less and less to do with me. I’m just the mail carrier. Hard work it is too. With every manner of dog, dilapidated residence, long journeys among little shade in the summertime blues.

The continual vexations of a world without literary criticism. Professional blurbs. One peak at Goodreads will end us, you will forver regret any and all writing about literature. Oscar Wilde, Aristotle, Malcolm Cowley? In a world where vintage Amazon reviews have been published in book form, one can only look upon with jest the corpus of endless Goodreads pieces, full of familiar padding from middle school essays, endless elaboration on nothing at all. Is this the madness of one easily pertubed, or just a sickness, a side effect of our time. Endless rot, the slow decay and death of language as we know it? Is this what awaits us? When will the first novel written in animated gifs present itself to us? I eagerly await it. Would Barthes mourn the death of language? How is it killed? Is it just English? Perhaps it’s for the best.

I recall a friend, who in one of her endlessly phony attempts to impose her intellect upon me mentioning the Death of the Author as if it were a closed case, as if the perpetrator were behind bars in some prison rotting, awaiting his own execution. As if this were gospel truth. Perhaps this was her way of seeking a replacement for the religion of her youth.

I wonder now if she ever found another viable substitute for Christianity. Politics, perhaps, or television shows, which appear to have their own bibles and canons that bring the faithful to their knees, That cause endless doctrinal debate. That tear communities and marriages alike asunder.

As for us, dear Friends, pick up a copy of Mythologies by Roland Barthes, while you still can. It is a delight to the very end. Greta Garbo’s face, steak, soap, like never before, I promise you.

As for me, I suspect the author is never dead, they cannot be killed or erased. They are in fact more alive than ever, as we speak. We know their misdeeds, whatever they maybe, will be trudged up whenever his name is brought up in conversation, or casually mentioned online.  Perhaps, indeed, their misdeeds have superceded the very work that brought them to our attention in the first place, for seeing a novel for sale at a supermarket is much more important than having read said novel. To conquer retail space, so as even those who want nothing to do with the written word, might spy your name out of their periphery is the ultimate for any author. Fame, name, brand recognition

Tellingly, the last discussion I had about Neruda was a catalog of his sins, not his work, which was of no consequence here. Perhaps, indeed, church is the place for literature, until a secular means of punishing the guilty, those who violate our inviolate, ever changing, transient, happenstance morals, forever is devised. I imagine we will soon exhume Aristophanes and find him, long dead, wanting.

Where do I actually stand on this issue? Nowhere in particular. I only know that things will change once again. Art is. Someone will pick up a book, I hope. Art will last, for me, who am I?

Once, long ago, I heard someone claim the author isn’t dead, before comparing JK Rowling to

Shakespeare. I no longer recognize this land in which we live. Literarally or otherwise. I don’t need a hero, I just need language dutifully, masterfully arranged. You can be pleased by anything, if you only try. Matriculation in the suburbs, pizza delivery on elephant, horseback riding on a trampoline, breeding pet grass.

Thank you for your time and may humanity forgive me my endless idiosyncrasies. May love leave.

A.F.

Categorías
How to write fiction

No GPS

moody nighttime street scene with car
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«writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.»

E. L. Doctorow. Quote found in Bird by bird. Anne Lamott

Ahem. I need the ending. That’s like my GPS. True the bloody device urges to make U turns in forbidden places and wants me to change goals and add stops I’d prefer not taking but still. If I don’t know that at least, I’m so lost I can’t even divide into lesser tasks.

However, this time I feel like writing a nonogram. A very big nonogram. 80×80 squares. And Ziggy has a humongous memory.

Have fun trying to see beyond the headlights in the darkness. Pasto kalo.