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Cómo este hongo
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Penpal 28
Water so cold, Time drags on. I’m in hold.
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Fábula. ¿Es el interés humano una diferencia teórica o decisiva en la narrativa?
El interés humano a lo largo de los siglos cambia.
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How to write fiction being yourself
It is to accept what comes from inside. Because it is oneself and you can’t escape it.
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La narrativa del color de la piel
¿Por qué la narrativa cambia la vida de las personas? Con subtítulos en español.
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Penpal 27
From across a big land, An ocean at hand. Different sounds and yet, One language the same. Different interests, Almost identical woes. People are like trees. Different leaves, Same nurturing things. All together through companionship. Separated by vanity.
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Cómo escribir ficción con series elementales y series complejas
Los elementos de un proceso o sucesión de acontecimientos son: la posibilidad, la realización y el resultado. A este proceso, Bremond lo llama “serie elemental”. Otros menos ambiciosos lo llaman “escena”. Cuando una serie de procesos (serie elemental) se encadena uno tras otro, eso es una serie compleja.
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The first manual in writing fiction that isn’t about writing fiction but about human myths: The hero with a thousand faces
It establishes a relationship myth (story) to the psychological need of the three most life passage ceremonies there are: birth, initiation to adulthood and dead. Which explains why Harry Potter is as popular. It is a hero that goes through all them (the last implies Voldemorth and his own death so he can be reborn into a normal human being again) thanks to parental love. This reality is taken into account in videogame design and other stories to get our empathy.
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Política de colmena
La verdad es muy importante
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What do I read again?
The excitement I felt that won’t disappear even when I know the ending. The known place I can go to and won’t turn into a glorified memory. The maybe not so good but still reassuring belief there’s room for everything. And maybe just one scene that will stay there with me, forever.