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Página 18 – Sitio sobre chorradas acerca de cómo escribir ficción

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  • Tesoros que no poseo

    close up of mushroom growing on field

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    En el alhajero del bosque,
    Con joyas de goma que sueltan esporas.
    Y gotas de vidrio que se evaporan.
    Los tesoros se suman y se suceden con la fortuna lluvia.
    Minucias de seda pobladas de oberones negro-amarilloque devoran las ropas de Titania.
    Uno tras otro se develan bajo las cortinas de frondas.

  • Juicios

    crowd of people black and white photo

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    «Los escritores han de ser juzgados por su trabajo y no por los comités a los que pertenecen».

    New Masses. Albert Maltz, 1946
  • Why are comics and poems alike 5: metrics p2

    person in black and gray long sleeve shirt
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    WHAT’S A POEM’S METRE?

    Do we use a measure tape in between the poem’s legs to measure its… between the legs? From armpit to armpit to measure its chest? What do you measure in a word bunch? We don’t count the number of characters to know how much space they use as designers do to fix the lay out.

    And for knowing what to measure, we need conventions… or the small little agreements we humans use to name things[1] after. And this is going to be confusing for me since everything is a little different in Spanish.

    FIRST CONVENTION

    Poems don’t have paragraphs, they have stanzas[2]. Fine then, poem’s paragraphs are called stanzas or strophes. That there are a lot of inconvenient little details like “strophes are the first part of the Iliad[3] or that “strophes are used in free verses without rhyme” is something I will forget about. There is no need to bring up rhyme or no rhyme yet.

    stanza /ˈstanzə/

    I. noun

    1. a group of lines forming the basic recurring metrical unit in a poem; a verse (is a verse a synonym of stanza dear Oxford?)

    2. a group of four lines in some Greek and Latin metres.

    SECOND CONVENTION

    A line is a verse.

    Yes, I know. Everybody knows this. Nonetheless, as Nuval Yoah Harari says; you might spit all the fancy words physicians and experts do and mess it up just because you don’t understand a blah of the really basic stuff by ignoring the basic words. I AM NOT TO IGNORE THE BASICS IN ORDER TO DO FALSIBIABLE.

    verse /vəːs/

    I. noun — [ mass noun ]

    1. writing arranged with a metrical rhythm, typically having a rhyme

    • a lament in verse

    • [as modifier ] verse drama.

    2. [ count noun ] — a group of lines that form a unit in a poem or song; a stanza

    • the second verse.

    3. [ count noun ] — each of the short numbered divisions of a chapter in the Bible or other scripture.

    • we were each required to recite a Bible verse from memory.

    • on the walls were framed verses from the Koran.

    A bunch of lines (verses) becomes a stanza or strophe in every line mayor period break.

    Very interesting… what’s a syllable?! Again very obvious, right. Explain it to me I dare you.

    WHAT’S A SYLLABLE?

    And I’m listening to my nephew playing whys game. Why is a syllable a sound? Why can sounds be represented by AN individual character like and “a” or a “g” but we set them together into “a sound” represented by a group of characters like “S.E.T.?

    Fine. A SYLLABLE IS ONE SOUND.

    TO BE CONTINUED


    [1] We’re quite good fighting about this and that but also at getting together to create life complications.

    [2] Look at my surprised face, not strophes but stanzas!

    [3] Don’t crucify me, I don’t remember what classical book was mentioned. The point is that the name comes from somewhere and it is annoying to remember where from, in THAT super specific way. Poems have a structure and that’s the important part right now.

  • ¿Chisme?

    https://www.eileenmcginnis.com/blog/2019/2/1/one-is-the-loneliest-number-evolutionary-biologist-lynn-margulis-and-the-murky-boundaries-of-the-parental-self
  • Silueta

    person walking on stairs in greyscale photograph
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    Cabeza abajo,
    En oscuros misterios.
    Las alas se mueven.
    El pico arremete.
    Después,
    De entre las hojas se pierde.
  • Los cuentacuentos de hoy

    group of people seated around a table having a discussion

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    Los hombres y las mujeres de negocios y los abogados modernos son, en realidad, poderosos hechiceros. La principal diferencia entre ellos y los chamanes tribales es que los abogados modernos cuentan relatos mucho más extraños.Nuval Yoah Harari. Sapiens

    ¿Es la verdad tal y como la entendemos algo que sale de un individuo al que se le llama juez de justicia? ¿Qué pasa si la verdad tiene unos cuántos ceros extra? ¿Quién convence a este juez de cosas tan extrañas como la inocencia y la culpabilidad; las personas buenas haciendo cosas malas que no están tipificadas como delitos y las malas cometiendo delitos que no son exactamente villanías? ¿Quiénes nos venden objetos no comestibles, inútiles y de cualquier modo innecesarios como anillos de compromiso, juegos de realidad virtual, inteligencias artificiales y teléfonos celulares?

    Puedo entender sin necesidad de discursos, la utilidad de una zanahoria… Un teléfono requiere realidades imaginadas mucho más extrañas que la realidad de mi estómago…

    ¿Qué cosa fantástica puedes inventar que tenga tanto poder como una constitución o un producto? Pásala bien inventando universos paralelos. Pasto kalo.

  • Why are comics and poems alike 5: metrics p1

    person in black and gray long sleeve shirt

    Photo by cottonbro studio on Pexels.com



    metric2 /ˈmɛtrɪk/

    I. adjective

    relating to or composed in a poetic metre.

    • the public recitation of metric, rhyming verse.

    II. noun

    the metre of a poem.

    – origin late 15th cent. (denoting the branch of study dealing with metre): via Latin from Greek metrikos , from metron (see metre2 ).

    metre2 /ˈmiːtə / ‹US› meter

    I. noun

    1. the rhythm of a piece of poetry, determined by the number and length of feet in a line

    • the Horatian ode has an intricate governing metre

    • [ mass noun ] unexpected changes of stress and metre.

    2. the basic rhythmic pattern of beats in a piece of music.

    • a dance song in fast quadratic metre.

    • Prokofiev’s complex metres.

    – origin Old English, reinforced in Middle English by Old French metre , from Latin metrum , from Greek metron ‘measure’.

    CAN COMICS BE MEASURED WITH METRICS?

    …Ah, good question. Thus, I [most] probably have a shellish answer for that. Particularly since I don’t know anything about metrics and the less about metrics in English. Spanish speaker, remember? However, here I go trying the impossible,

    From the point of view of the above definition, NO. Metrics measure verses. Comics don’t have verses. Conclusion? Comics and poetry have nothing to do regarding metrics.

    WHAT CHANGED FROM LAST ENTRY?

    Are you just being Mary quite contrary, Merriam? Maybe…

    Do you know this science procedure of establishing ways to prove something as false? Well, I’m running a mock trial of falsifiable. That’s, if I can. Maybe I can only make a bigger mess than the one I already started in last entry but one has to do in order to mess up.

    Thus, we need to keep the statement:

    comics and poems don’t have metrics as a similar feature at all

    in order to try and prove the opposite.

    TO BE CONTINUED

  • Bad dog

    close up of rabbit on field

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    Limp.
    Hanging from those teeth.
    What terror did you feel?
    How could I teach?
    This wolf turned into bitch,
    By years and years of hefting I think.
    Back to predator out of dry food's greed.

    Euthanasia if you plead.
    Disowning perhaps.
    Whatever remains.
    I'm sure I need to act.
    But the fur kid smiles.
    How to change what I can't?

  • Cuando la imagen puede más que la lógica

    woman with red rose on her hand

    Photo by cottonbro studio on Pexels.com

    Te ayudaremos -dijo Rincewind, mirando con ansiedad el tocino que se quemaba. Aquello pareció sorprender al druida, que era bastante joven, cosa que sorprendió un poco a Rincewind. Suponía que debía de haber druidas jóvenes, al menos en teoría, pero nunca se los había imaginado.

    La luz fantástica. Terry Pratchett

    Y lo mismo con algunas otras cosas… Primero el vampiro «Nosferatu» salió en pantalla como un chupasangre poco sexy (horripilante de hecho) y después parecía que los vampiros no hacían otra cosa que … Bueno, copular con humanos, otros vampiros y finalmente, tener orgías sobrenaturales hasta que a alguien se le ocurrió desromantizarlos y regresarlos a su forma original; pero ya no había manera. Ya habíamos visto demasiadas películas. La imagen sí importa.¿Qué nueva imagen te propones desmitificar el día de hoy? Pasto kalo.