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What do comics and poems have in common: silence p1
Silence is nothing. However, important to fiction, design and perhaps, engineering. Without silence, there’s no tale, no reading and hence fore, no communication.
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Mission impossible
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Cuando el de la cámara debería llevarse la medalla…
¿Justificación o explicación de las causas?
Pedazos de tela
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Domesticating takes a lifetime
She's your faith,I'm your nightmare.I'll twist your words,Finding ways to avoid.Abandonment will mark your trust,And in grief you won't forgive.How I was gone.Her voice is your song,Mine a broken rancour,The forgotten life's tremor.Not a reason to stop.That isn't love.
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De los universos múltiples y la incapacidad del lenguaje para explicarlos
El doctor Rjinswand se restregó la frente. Le vendría bien una copa. Las ondas concéntricas de la paradoja se extendieron por el mar de la causalidad. Lo más urgente es aclarar a cualquiera que no comprenda la totalidad del multiverso que, aunque el mago y el turista acababan de aparecer en el avión, al mismo tiempo ya habían estado a bordo desde el comienzo del vuelo, siguiendo el curso normal de los hechos. O sea: aunque es cierto que acababan de aparecer en este juego concreto de dimensiones, no es menos cierto que llevaban toda la vida en ellas. En este punto de la explicación es cuando el lenguaje se…
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Why to watch out with words!
Maybe you think words are not something to be wary of. Watch out! The traitors. Sometimes the complaint is hidden among them. They can be a quick peek into the horrible inner world of the character. And they’re easily misunderstood. Pick them with care. Or let them ooze without regard. As unworthy as they seem, they can change a character’s world. In consequence, be wary of words and in awe too. Pasto kalo.
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When something very human is not in your nature…
I know. It might seem like the wish to make known to unknown people we don’t want to shag. Maybe it is. Still, we need the visibility. Why? To have others alike know they’re not broken. They’re just different.
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Eclipse
All the things I wanted to sayAll the stuff I'd prefer hidden away.Over sharing.Reluctant.Bored and dead.Looking at the moon,Trying for once new stuff.Waiting for it to turn red.Changing a small minuscule thing.Yet, every hour is confused with yesterday.The stars that away.My blood turned into eggs.Is it cold or my head?Too late for tell tale.
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Uno de los propósitos de la ficción
¿Cómo consiguió Homo sapiens cruzar este umbral crítico [150 individuos], y acabar fundando ciudades que contenían decenas de miles de habitantes e imperios que gobernaban a cientos de millones de personas? El secreto fue seguramente la aparición de la ficción. Un gran número de extraños pueden cooperar con éxito si creen en mitos comunes. Nuval Yoah Harari. Sapiens Escribir ficción no es solo entretener, es imaginar la realidad, denunciarla o escapar de ella. Es tender puentes entre seres humanos.
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From the fly-man to the man-fly, are magic system reversible? p2
Determining the time our story is taking place we can imagine clothes, culture, tech and… resolve the question about society behaviour. How are men and women to behave? It also helps choosing the way we’re bending the usual plot lines known for fantasy in order to create something different.
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Why are comics and poems alike 5: metrics p1
ROOTS 3
It is only after years of this sort of practice
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Theories and relationships: endosymbiosis
I certainly don’t like the case of parents trying to make of parenting the only way to get to discover the universe and stuff but the way this blog entry summarizes something I’d probably not have understood is nice and interesting. Thus: https://www.eileenmcginnis.com/blog/2019/2/1/one-is-the-loneliest-number-evolutionary-biologist-lynn-margulis-and-the-murky-boundaries-of-the-parental-self
