-
Harassment
Have I watched porn?What do you care?Not your business yo! Have I masturbated?Too private! Asexual doesn’t mean,You can go and ask your mean just cause you feel like.Sexual person or not…That’s harassment you know.
-
Le chien sous la chaise
-
The day I stopped traffic
Oh mine! To my left a green light,To my right, cars move.And straight ahead…A line waiting for the hault to expire. I… I’m blocking road and my red steed dressed up in scratch.But polite I won’t,Since this is the exit I reckon.And my four meters of length,Somehow, must go and squeeze in there. My win of today!I was mightier than traffic light.
-
La obsesión con el número de palabras
¿Y si yo escribo menos que eso en una hora? ¿Dejo de ser escritor?
-
Why to create adorable despicability? p2
Hence, how do we have our characters to be apart and different? In BL that’s easy. One of them is hetero and homophobic. Or the other is simply unaware due to being a narcissistic wrench; love here is not to turn hate into passion but total indifference into lust. And lust is easier to get through aphrodisiacs than love through attention and open ears. First happens conveniently in seconds, the last… I shrug. For hetero romcoms, such opposites come as ironic hateable comments that escalate into a twisted flirting. Asexuals… Well we can’t be integrated into scene in spite of being the TOTAL OPPOSITE of sexual people. How do you…
-
Dark cloud
Cobalt blue bringing darkness in the wind.Sparks crumbling into menace. I step and I dance like on ice,A newling on blades.Except the hard earth is not just the trauma of my rear,It’s the wet I’ll get.And the drag the sheep,delighted will be to admin.
-
Two snakes
-
El propio interés
Hay personas en este mundo a las que les gusta todo preciso y ajustado, y las hay que aceptan alguna desviación marginal. Él es ambos tipos de persona. No permitiría, por ejemplo, una ambigüedad despreocupada en un arriendo, pero el instinto le indica que a veces un contrato no tiene por qué redactarse con demasiado rigor. Arriendos, autos judiciales, cláusulas, se escriben para que se lean, y cada cual los lee en función de su propio interés. Thomas Cromwell, personaje. En la corte del lobo. Hilary Mantel.
-
Why to create adorable despicability? p1
Have you ever found yourself romping over the villain's evilness? Without the despicable one, we have no interest. This thing of antagonistic forces pushed to the limit, raises tension. It's the corn starch to give body to the plot gravy. Robert McKee mentions to face main character against his opposing antonym. The double negative of her situation. We have the classical boy meets girl... A family feud of death and bigotry. Ronald B. Tobias explains how this is old and no longer possible... Hence, how do we have our characters to be apart and different?
-
El peligro del fantasma del imperio
https://go.ivoox.com/rf/130674119?ts=2398



