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Screenwriting Fundamentals (by Blake Snyder, now with salty notes by me) p3
Our character is enjoying or disenjoying life the way we humans do. And since life is something as riding a plane... It is kinda safe but there's always the perk of fail and crash thus our job, as writers, is to push our character and get them off their life plane without a parachute. It is time for the character to do or to do. Snyder affrms this has to happen in page 25. And in page 25 only.
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Screenwriting Fundamentals (by Blake Snyder, peppered with nonsensical notes by me) p1
The advice is for screenwriting. Nonetheless, some of the stuff might apply to comics, novels and plays. If understanding the strengths of other media helps you to better your own game. The opening image will set the tone. This is convenient to avoid or to use clichés to OUR ADVANTAGE. This opening image is the reader's cue to stay or leave. Both are worthy. Comic, short novels and movies need this as soon as possible. A novel, unlike what Mr. Wodehouse states in A damsel in distress, can take a little longer but it still uses the opening image because it is not the same thing setting the ambiance as…



