Etiqueta: Comics and poems are alike. Comics and poems share symmetry as a feature

SYLLABLES GET REPEATED: SOMETHING COMICS HAVE

No. Not about the sound. Or The words. About the image. The syllable; consonant + vowel, vowel + consonant, consonant + vowel + consonant, gets repeated and repetition is SYMMETRY.

WHAT ABOUT SYMMETRY?

Symmetry is when we repeat an image based the repetition in an imaginary axis from where we: reflect, rotate, transfer or scale. Whenever we use the same syllable in a different line, that is totally like symmetry; particularly the one of transferring or movement.

Voilà, comics and poems are alike because symmetry! (Without regard to poem’s symmetry being called rhyme).

That, given the comic uses symmetry to repeat elements in order to communicate like in the manga I have been using as an example. Haru no noroi by Asuka Konishi , adapted into live action.  

In these covers, what you can take as a partial almost mirror symmetry is a trick to create movement and express the character’s emotional situation. When opposed to each other, they can’t be further away and when facing each other, it means the attraction building up. Thus we can talk not only of symmetry but of symbolism. Something poems do: metaphor. But I’m not talking metaphor. And I’m using these covers as example only because I liked the manga.

Am I genial or am I? Truthfully… I AM NOT. Nonetheless, this was just a clumsy attempt to make my hypothesis falsifiable in the same way I do everything. WRITING NONSENSE. What else is fiction but acceptable nonsense?

Don’t! Your likes, comments or curses won’t stop me from writing. I only hope you will read and think how to use symmetry in your next fiction. Pasto kalo.

SOUNDS AND PREFIXES

According to the number of syllables in a verse, we will add prefixes to refer to diverse existing numeral giving names to verses:

bi-tri-tetra-penta-hexa-hepta-octo-enea-deca- endeca-dodeca-trideca-tetra deca[1] syllabic/meter.

And here is when things GET A LOT DIFFERENT THAN IN SPANISH.

Whilst Spanish counts syllables and gives the poem a name based upon the number of syllables in a line[2] (verse); English counts the stressed[3] and unstressed and takes the order of them into account to call it a foot. English names verses after the foot.

<<In accentual-syllabic prosody the basic unit of poetry is the line, clearly visible on the page, which may be defined as ‘a single sequence of characters read from left to right’. Lines are analysed by breaking the metre, the rhythmic pattern, down into the repetition of a basic unit, a foot, and saying how many feet make up a line.>>

The poem handbook John Lennard. Oxford University Press, second edition 1996, 2005.

SYLLABLES OR NOT SYLLABLES

<<Poetry was spoken before it was written, and rhyme, the coincidence of sounds, has prehistoric origins in ritual, celebration, and memory training. Most Westerners learn nursery rhymes or children’s chants, and know a fair number of simple rhymes giving information (red sky at night, shepherd’s delight) or advice (if you can’t beat ’em, join ’em). […].  Vision is now our primary sense, and for many to hear clearly how rhyme works in a poem means seeing a rhyme-scheme. >>

The poem handbook John Lennard. Oxford University Press, second edition 1996, 2005.

Whatever. It doesn’t really matter at the moment. Iambic, pentameter or pentasyllabic, Alexandrian, or minor art verse, verses share a quality: they either rhyme or not and here is where light starts to shine upon the damned topic because rhyme is not just a sound thing. Or it is a sound thing but it is also something that CAN BE SEEN.

TO BE CONTINUED

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[1] Called Alejandrinos, the quantum may care why.

[2] As usual, the verses can be popular or intellectual. A verse minor to 8 syllables is a minor art verse and a longer one a major art verse. In the end, one wonders why the heck musicians are to receive a Nobel in literature but such is Spanish; not English.

[3] Any need to complícate it even more? They’re called ictus.

WHAT’S A POEM’S METRE?

Do we use a measure tape in between the poem’s legs to measure its… between the legs? From armpit to armpit to measure its chest? What do you measure in a word bunch? We don’t count the number of characters to know how much space they use as designers do to fix the lay out.

And for knowing what to measure, we need conventions… or the small little agreements we humans use to name things[1] after. And this is going to be confusing for me since everything is a little different in Spanish.

FIRST CONVENTION

Poems don’t have paragraphs, they have stanzas[2]. Fine then, poem’s paragraphs are called stanzas or strophes. That there are a lot of inconvenient little details like “strophes are the first part of the Iliad[3] or that “strophes are used in free verses without rhyme” is something I will forget about. There is no need to bring up rhyme or no rhyme yet.

stanza /ˈstanzə/

I. noun

1. a group of lines forming the basic recurring metrical unit in a poem; a verse (is a verse a synonym of stanza dear Oxford?)

2. a group of four lines in some Greek and Latin metres.

SECOND CONVENTION

A line is a verse.

Yes, I know. Everybody knows this. Nonetheless, as Nuval Yoah Harari says; you might spit all the fancy words physicians and experts do and mess it up just because you don’t understand a blah of the really basic stuff by ignoring the basic words. I AM NOT TO IGNORE THE BASICS IN ORDER TO DO FALSIBIABLE.

verse /vəːs/

I. noun — [ mass noun ]

1. writing arranged with a metrical rhythm, typically having a rhyme

• a lament in verse

• [as modifier ] verse drama.

2. [ count noun ] — a group of lines that form a unit in a poem or song; a stanza

• the second verse.

3. [ count noun ] — each of the short numbered divisions of a chapter in the Bible or other scripture.

• we were each required to recite a Bible verse from memory.

• on the walls were framed verses from the Koran.

A bunch of lines (verses) becomes a stanza or strophe in every line mayor period break.

Very interesting… what’s a syllable?! Again very obvious, right. Explain it to me I dare you.

WHAT’S A SYLLABLE?

And I’m listening to my nephew playing whys game. Why is a syllable a sound? Why can sounds be represented by AN individual character like and “a” or a “g” but we set them together into “a sound” represented by a group of characters like “S.E.T.?

Fine. A SYLLABLE IS ONE SOUND.

TO BE CONTINUED

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[1] We’re quite good fighting about this and that but also at getting together to create life complications.

[2] Look at my surprised face, not strophes but stanzas!

[3] Don’t crucify me, I don’t remember what classical book was mentioned. The point is that the name comes from somewhere and it is annoying to remember where from, in THAT super specific way. Poems have a structure and that’s the important part right now.

metric² /ˈmɛtrɪk/

I. adjective

relating to or composed in a poetic metre.

• the public recitation of metric, rhyming verse.

II. noun

the metre of a poem.

– origin late 15th cent. (denoting the branch of study dealing with metre): via Latin from Greek metrikos , from metron (see metre² ).

metre² /ˈmiːtə / ‹US› meter

I. noun

1. the rhythm of a piece of poetry, determined by the number and length of feet in a line

• the Horatian ode has an intricate governing metre

• [ mass noun ] unexpected changes of stress and metre.

2. the basic rhythmic pattern of beats in a piece of music.

• a dance song in fast quadratic metre.

• Prokofiev’s complex metres.

– origin Old English, reinforced in Middle English by Old French metre , from Latin metrum , from Greek metron ‘measure’.

CAN COMICS BE MEASURED WITH METRICS?

…Ah, good question. Thus, I [most] probably have a shellish answer for that. Particularly since I don’t know anything about metrics and the less about metrics in English. Spanish speaker, remember? However, here I go trying the impossible,

From the point of view of the above definition, NO. Metrics measure verses. Comics don’t have verses. Conclusion? Comics and poetry have nothing to do regarding metrics.

WHAT CHANGED FROM LAST ENTRY?

Are you just being Mary quite contrary, Merriam? Maybe…

Do you know this science procedure of establishing ways to prove something as false? Well, I’m running a mock trial of falsifiable. That’s, if I can. Maybe I can only make a bigger mess than the one I already started in last entry but one has to do in order to mess up.

Thus, we need to keep the statement:

comics and poems don’t have metrics as a similar feature at all

in order to try and prove the opposite.

TO BE CONTINUED