Etiqueta: Sarah Domet
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And so comedy wasn’t a joke
COMPLAIN Is the river dirty? Make the Mork river almost solid enough to never sink in it. Do we dislike the snobish hat? Let’s have it punched out from a head. This is Robert McKee’s image of comedy. A frontal disappointed attack AGAINST anything that could be… Better. Anything the frustrated idealist of a writer…
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What to do when a character fucks it up?
You never know when one of these “minor contacts” will have a big impact on a more prominent character.
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About dialogue: She said, he said. p2
to avoid your reader getting lost, make dialogue as clean as possible.
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About dialogue: She said, he said. p1
START WITH A DESCRIPTION OF PEOPLE TALKING instead of starting with a dialogue.
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Why to show ONLY the tip of the iceberg when writing?
“If a writer of prose knows enough about what he is writing about he may omit things that he knows, and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of the iceberg is due…
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2nd of the 90 days to own your own world… I mean novel
Your reader running along your characters requires to wrap up such readers into details that connects us —all of us— emotionally.
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How to write fiction in a nutcasing clasification of the scene (in two stone throws)
Everything coming through her head is an interaction game between these tiny characters. So, at least for the case, the external scenes show Yumi as an entity who displays what happens outside, either on her own or with other characters.
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Cómo escribir ficción con ayudantes y oponentes
Vamos a usarla como una planeación de ruta de qué circunstancias motivan los desastres que le acontecen al personaje debido a su personalidad o propiedades (qué en sí del personaje, lo mete en un lío). Y a quién vamos a plantar ahí, en la ruta, como guía de turistas que le dé indicaciones al personaje…