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And so comedy wasn’t a joke
COMPLAIN Is the river dirty? Make the Mork river almost solid enough to never sink in it. Do we dislike the snobish hat? Let's have it punched out from a head. This is Robert McKee's image of comedy. A frontal disappointed attack AGAINST anything that could be... Better. Anything the frustrated idealist of a writer hates.
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About visits
Reference frame and motifs
How to write fiction making a main character’s life hell
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What to do when a character fucks it up?
You never know when one of these “minor contacts” will have a big impact on a more prominent character.
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About dialogue: She said, he said. p3
Dialogues are there to have flow not to Clonazepam people.
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Inadequate ethnological data
Why are comics and poems alike? Visual input p1
Learn to code to write? p1
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About dialogue: She said, he said. p2
to avoid your reader getting lost, make dialogue as clean as possible.
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About dialogue: She said, he said. p1
START WITH A DESCRIPTION OF PEOPLE TALKING instead of starting with a dialogue.
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How to create a character’s ID profile when writing?
A creating character exercise
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Why to show ONLY the tip of the iceberg when writing?
“If a writer of prose knows enough about what he is writing about he may omit things that he knows, and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of the iceberg is due to only one-eighth of it being above water. The writer who omits things because he does not know them only makes hollow places in his writing.” Ernest Hemingway
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2nd of the 90 days to own your own world… I mean novel
Your reader running along your characters requires to wrap up such readers into details that connects us —all of us— emotionally.
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Cuentos sobre escritores
De discursos y poemas
You’re here but this map is somehow useless: Fantasyland
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How to write fiction in a nutcasing clasification of the scene (in two stone throws)
Everything coming through her head is an interaction game between these tiny characters. So, at least for the case, the external scenes show Yumi as an entity who displays what happens outside, either on her own or with other characters.
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Cómo escribir ficción con ayudantes y oponentes
Vamos a usarla como una planeación de ruta de qué circunstancias motivan los desastres que le acontecen al personaje debido a su personalidad o propiedades (qué en sí del personaje, lo mete en un lío). Y a quién vamos a plantar ahí, en la ruta, como guía de turistas que le dé indicaciones al personaje de cómo llegar a donde quiere ir (obtener el objeto de su deseo)
