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What to do when a character fucks it up?
You never know when one of these “minor contacts” will have a big impact on a more prominent character.
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About dialogue: She said, he said. p3
Dialogues are there to have flow not to Clonazepam people.
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About dialogue: She said, he said. p2
to avoid your reader getting lost, make dialogue as clean as possible.
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What are the 7 principles of theatre plays? p1
On how to ruin a tale p1
How to write fiction writing scenes
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About dialogue: She said, he said. p1
START WITH A DESCRIPTION OF PEOPLE TALKING instead of starting with a dialogue.
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How to create a character’s ID profile when writing?
A creating character exercise
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Why to show ONLY the tip of the iceberg when writing?
“If a writer of prose knows enough about what he is writing about he may omit things that he knows, and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of the iceberg is due to only one-eighth of it being above water. The writer who omits things because he does not know them only makes hollow places in his writing.” Ernest Hemingway
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How to write fiction reading or watching news
How to write fiction plagiarizing….lay outs
Learn to code to write? p1
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2nd of the 90 days to own your own world… I mean novel
Your reader running along your characters requires to wrap up such readers into details that connects us —all of us— emotionally.
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How to write fiction in a nutcasing clasification of the scene (in two stone throws)
Everything coming through her head is an interaction game between these tiny characters. So, at least for the case, the external scenes show Yumi as an entity who displays what happens outside, either on her own or with other characters.
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Cómo escribir ficción con ayudantes y oponentes
Vamos a usarla como una planeación de ruta de qué circunstancias motivan los desastres que le acontecen al personaje debido a su personalidad o propiedades (qué en sí del personaje, lo mete en un lío). Y a quién vamos a plantar ahí, en la ruta, como guía de turistas que le dé indicaciones al personaje de cómo llegar a donde quiere ir (obtener el objeto de su deseo)
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How to write fiction in a nutcasing clasification of the scene (in two stone throws)
Media res means to begin an scene in the middle of the action by describing a lot what is seen, felt, saw and tasted by the character to offer the feeling of things happening. It is this feeling which makes us feel like there’s action and it can be stretched until tension is in the air.
