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How to write fiction

Inadequate ethnological data

a group of dancers in traditional folklore costumes
Photo by Luis German Ps on Pexels.com

The error of the nineteenth-century folklorists was not that they focused on similarities, but that their methods for alleging such similarities were not always sound. Much of what they did involved picking and choosing arbitrarily among inadequate ethnological data and inferring similarity where in many cases it did not exist.
But with over a century of subsequent fieldwork to draw on, today both anthropologists and folklorists are in a better position to make cross-cultural comparisons than were the early folklorists. According to Dundes, studies in the distribution of myths reveal that while there is no myth that is truly universal, so is there no myth that has ever been found to be limited to a single culture (1984, 270). Elsewhere he concludes: “Mythology must be studied in
cultural context in order to determine which individual mythological elements reflect and which refract the culture. But, more than this, the cultural relative approach must not preclude the recognition and identification of transcultural similarities and potential universalities” (1962, 1048).

Archetypes and motifs in folklore and literature : a handbook / edited by Jane Garry and Hasan El-Shamy

This is important. The hero’s journey is not universal. Not the way Joseph Campbell made it look like or what other writers who take it as universal might push it as a wonderful timeless recipe that only needs tailoring.

Human beings change. Slowly. We have changed from depicting conflicts to crave ideal worlds where everything gets fixed in a finger snap by marrying the rich, having a baby and there’s no great couple bouts. Easy slices of life. Otherwise, webtoons that repeat and repeat such an statement would have gone obsolete very quickly. It is not the case.
Why? Because the conditions young human beings are living now and will, are certainly different. They’re starting to face on imagined realities that went unchallenged for centuries. They still need purpose but they’re realizing purpose doesn’t come from the above or the below or anywhere else. They’re realising there’s the unchangeable human nature. They’re facing destruction in ways we have decided to ignore. They’re angry. Very angry.
They are less in need of a hero’s journey than they’re in need of Prozac.
Enjoy discovering what’s in need. Pasto kalo.

Categorías
How to write fiction

Just a collection used to built on

close up shot of white and brown bricks
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Thompson’s Motif-Index is one of the most important works in folklore
studies produced in the twentieth century. Some may view it merely as a taxonomic endeavor, but as Thompson stated, “Before it can become an object of serious and well-considered study, every branch of knowledge needs to be classified. There was a time when geology and botany consisted of random collections of facts and hastily constructed theories. It was only when this anecdotal stage gave way to systematic classification that real progress was made toward a thorough method of study” (1977, 413).

Archetypes and motifs in folklore and literature : a handbook / edited by Jane Garry and Hasan El-Shamy

Are we any closer to have made of Narratology something useful to write fiction? Is fiction even something studied that seriously nowadays to produce real differentiated fiction and not mass produced serial stuff? Just questions. Not a Sunday sermon.
Pasto kalo.