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A single reason why to teach readers to read
At least in Spanish, some editions of his first Disc World books have markers which kindly indicate when he went to the other side of the Disc to learn the anthropomorphic Dead's secrets instead of following lead in the main plot.
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Es solo una historia…
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Sequía
Con las costras que dejó el estio,En esta piel seca que ya añoraba el viento.Sedienta de besos.
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¿Cuándo y cómo se vuelve lugar el espacio (en la narrativa)? p.1
Por eso, no se puede decir que la narrativa pueda existir sin un espacio. El espacio existe, tanto si le ponen dimensiones, como si no. Lo que no existe son los lugares.
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Why do we like black horse plots? p. 2
Us in a clear disadvantage. The Slumdog millionaire smeared in excrement. In a worse place than us. Yet us, some minute of our lives
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Hongos…
No, no son alucinógenos… Tal vez algunos.
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Tap tap
I want to tap your shoulder with my head and hide my eyes under your breath.I want to see your heart besides my nose and place my hand in that smell of yours.I want to turn you inside out and read my luck in your stars.I want to dream my way out from your arms and be welcomed back, right after that.I want to scream it all but no, I’ll take my time keeping silence till you’re mine.
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… en la lista negra
View this post on Instagram A post shared by Jermaine Fowler | Public Historian (@thehumanityarchive)
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Críticas a la lengua
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Why do we like black horse plots? p. 1
Ronald B. Tobias. 20 Master plots.
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