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Review and survive the urge to destroy (your fiction masterpiece) 2
a) Believe in yourself enough to think the child deserves delivery. It needs a big ego but you need to believe in your craft or no one will
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Asexual : no presente en los medios…
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While there’s blood on them
To lick your lips, While there is blood in them. To attach your soul to myself. To be your own, Spear of fear as well. To be the butterfly of your nightmares. That’s all I’ll guarantee if you’re… Right here. Singing with me.
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Marcando el paso: ritmo narrativo
En narratología, hay algo que se llama tiempo de fábula (TF) y tiempo de historia (TH). Y como esto de hablar de historia y fábula me confunde a cada rato y no creo que a ti tampoco te resulte un poco chocante... El tiempo de fábula es todo el tiempo en el que omitimos cierto episodio anterior[3] y le dedicamos tiempo a otro en particular porque; ese es el episodio al que queremos que le pongan atención. El tiempo de fábula corresponde a una escena y el resumen (o completa desaparición de un evento) a una descripción rápida de los eventos.
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Historia de una entrada programada
¿Qué hizo Jetpack con mi entrada programada?
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Review and survive the urge to destroy (your fiction masterpiece)
Something important: once you figure out how to write a book, it is granted the next one doesn’t come out any easier.
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About Mary Shelley
https://go.ivoox.com/rf/96912221
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Kaboom
Precisely, on these kind of times I do, I do regret losing you. But then I think and believe it was the best, so you wouldn’t end up hurt. I had to release you from my curse, my stupid mouth is the princess of kaboom. I don’t need to tell you, for you know already as much. I can’t bear myself, cause I can’t hold my mighty stupid arrogance. I so hope you grew tired of me, leaving to fly in those fine feathers. I witnessed, ruffled in the wind, soaring the beauty of hard earned skills. Pure delight, your colours in my mind. Fair lines.
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La anticipación de la acronía
De este manejo de la línea de tiempo cronológica histórica (de la historia con minúscula), es de dónde podemos crear diversas presentaciones que le den variedad a la fábula o que nos permitan mejorar nuestras sorpresas en la trama. Tanto su manipulación como su dominio, nos harán dueños del universo… Hahaha. Del universo de nuestra narración, no de TODO el universo.
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How to write a fiction masterpiece… in theory 3
And now they tell me? Asimov hated writing fiction cause it took him 6 months, something that didn't happen to him with not fiction and certainly not with short stories (he wrote them in a single day)... Why? Cause novels require a bit more to unravel and they change to characters' actions. And sometimes, characters do things that make you go crazy. Fighting!